Mar 1, 2018
Review: Watching Paint Dry (Herald Theatre)
If there is ever a title to get audience in seats, it is that one. The brain child of writer and director Anders Falstie-Jensen, we are...
Feb 28, 2018
Review: Julius Caesar (Pop-Up Globe)
Auckland's Pop-Up Globe is a sight to behold. A scale replica of the London original, the detail that has gone into recreating the...
Feb 24, 2018
Review: Roots (Uxbridge Theatre)
Not sure where you're from? Not sure how you came to be? Not sure whether it even matters? "Roots", a solo show about tracing family back...
Feb 23, 2018
Review: The Contours of Heaven (TAPAC)
Theatre made about and for a specific area are always a labour of love. They are made in a debt to its setting to represent it accurately...
Feb 22, 2018
Review: Welcome to Self Co. (Tiny Theatre at Garnet Station)
Corporate humour is, for the most part, fairly safe ground. It is an area to which most people can drag up unpleasant memories about...
Feb 22, 2018
Review: Drowning in Milk (Q Loft)
What is the attraction, for a white person and/or a man, of going to a show about why living in a male and white-dominated world is...
Feb 21, 2018
Review: Buddy (The Wine Cellar)
Given this is a fringe performance, one might think that a show about ambition, sustainability and love might be a touchy subject, but...
Feb 21, 2018
Review: Force Field (Basement Theatre)
The search for love is a classic set up for any play, film, or novel, and more often than not they follow a similar formula - two people...
Feb 12, 2018
"Record That Shit" - Should Musicals be Filmed?
Fans of theatre know how difficult it can be to go and see a show you are dying to see. You need to be in exactly the right place, at...
Feb 5, 2018
Review: The Importance of Being Earnest (The Elms)
No matter the strength of a production, I will always take my hat off to open air performances. There is always a great deal of risk and...
