Jul 2, 2018
Review: The Biggest (Court Theatre)
Given the 2017-2018 season at the Court so far, featuring the intensity of performances such as "Venus in Fur" and "Titus Andronicus", it...
Jun 23, 2018
Review: Cat on a Hot Tin Roof (Young Vic Theatre)
"What is the victory of a cat on a hot tin roof?" From the glossy sheen of the Young Vic's production of the classic Tennessee William's...
Jun 12, 2018
Review: A Picasso (Christchurch Art Gallery)
Bringing to life one of the greatest artists of all time is no small feat, and nor is creating a suitable character to perform opposite...
Jun 8, 2018
Review: Ideation (Court Theatre)
A meeting room full of managing consultants does not seem like an obvious place for a dark and thrilling play, but that is what Aaron...
May 29, 2018
Review: In the Next Room, or the vibrator play (Court Theatre)
In a way, learning about the history of the vibrator is a worthy reason for this play to be produced. Set just as electricity was...
May 13, 2018
Review: Dust Pilgrim (Theatre Royal)
Contrary to my usual seasonal routine of preparing myself for summer around this time of year, Nelson is collectively donning...
May 9, 2018
Preview Review: That Bloody Woman (Centrepoint Theatre)
In the lobby of Centrepoint theatre tonight, a blackboard was up asking who our female icon was. Though the usual suspects of "Frieda...
May 3, 2018
Queer Necessities - Are LGBTQ+ Themes Expected in Theatre?
A few weeks ago I went to see WITCH's adaptation of "Spring Awakening". Going into it, I knew very little about the musical; only that it...
Apr 18, 2018
Review: Spring Awakening (BATS Theatre)
If there's one theme to attract a wide audience, it is coming of age. Relatable for teenagers, nostalgic for adults, and with the means...
Mar 26, 2018
Rules and Expectations - Are Fringe Festivals Elitist?
"Every aspect of society sets rules and expectations." That was one of the more insightful quotes from Intervention Theatre's "The World...
