Aug 29, 2017
Review: Sugar Baby (Paradise in The Vault)
THIS IS A SHOW ABOUT HOW EVIL SUGAR IS! OH, YOU DIDN’T KNOW? WELL, SUGAR IS EVIL. EVIL EVIL EVIL, AND THE LOUDER YOU SAY IT, THE TRUER IT...
Aug 26, 2017
Review: Enterprise (Assembly)
What makes the average consumer invest in a show? How do we attract the 18-35 market to a performance? What are the projections on a...
Aug 17, 2017
Review: NSFW (theSpace on Niddry Street)
Hmm, I wonder if I started featuring topless production photos, whether my male audience will increase. Only really attractive actresses,...
Aug 9, 2017
Review: Trainspotting Live (EICC)
Choose life. Choose a career. Choose a family. Choose a fudging big television, choose washing machines, cars, compact disc players, and...
Aug 7, 2017
Preview Review: Velvet Evening Séance (Assembly)
The place where magic and theatre cross over in the venn diagram of performance is an intriguing one. Though the spectacle of...
Aug 6, 2017
Review: Bleach (Laughing Horse @ 48 Below)
One man show? Check. LGBTQ+? Check. Edgy subject matter? Check. You now qualify as a Fringe show. The whole point of the Fringe is to be...
Aug 5, 2017
Review: Nothing (Summerhall)
Nothing matters. Nothing at all. It’s a difficult thing to hear, but that is the premise of Teater V’s production. Based on the beautiful...
Aug 4, 2017
Review: F*ckboys for Freedom (Sweet on Grassmarket)
Ah, subtlety. What a thing it is. This devised production from Pandorum Theatre Company bids us on what turns out to be an adventure into...
